 First of all, a big round of applause for the director for introducing a new genre in Tamil film industry. Holly wood had it since long with movies like Hot Shots Naked Gun or Scary Movie series and Tamil television has beaten it to death. But a full length spoof running for more than two hours on big screen is really difficult to make considering the sensitivity of the industry people. Even Bollywood hasn’t tried a full fledged parody yet. ‘Thamizh Padam’ has done it nicely without hurting the sentiments or feelings of any body. Though only regular movie goers will identify every spoof still they will enjoy it even if it is of their favourite heroes. Director Amudhan has walked the tight rope very effectively. The film starts with a mother giving birth to a child – our hero Shiva- on a rainy night in a typical village which detests male babies being born in the village. The ‘Nattamai’ of the village had already passed a decree to kill any male child born to any body in the village for a peculiar reason. The male children don’t stay in the village when they grow up. So the father asks his mother-Paravai Miniamma-to kill the baby. When the old lady is about to feed the baby with branded cactus milk in tetra pack the infant pleads with the grand mother to put him in a goods train so that he can reach the city and become a big man. Why a goods train? Because the infant knew all goods train leaving a village is destined to reach Chennai city. Touched by the aspiration of the infant the old lady takes the baby herself to Chennai to help him achieve his dream. In Chennai Siva grows at the spin of a cycle wheel up and spends time with his college going friends Nakul, Siddharth and Bharath – M S Bhaskar, Manobala and Vennira Aadai Murthy. Siva who appears to be a spoiled child actually is an undercover cop like ‘Pokkiri’ Vijay. He eliminates the city rowdies like ‘Thirupachi’ Vijay using techniques of ‘Ghajini’ Suriya, ‘Anniyan’ Vikram and ‘Apoorava Sahodarargal’ Kamal Haasan. Meanwhile on the other side of his life Siva sees Disha like ‘Kadhalukku Mariyadhai’ Vijay and love strikes like ‘Mozhi’ Prithviraj. Siva expresses his love to her like ‘Maounaragam’ Karthik. But Disha’s father doesn’t approve their love because Siva is poor and doesn’t know who his father is. Humiliated Siva decides to become rich and find his father in the village. He becomes rich in a jiffy like ‘Annamalai’ Rajini and ‘Sivaji’ Rajini. The love finally succeeds. Then in search of his father Siva lands in his ancestral village Cinempatti like Winner Prashanth. Its a village where couples go to bed only when ‘Vaidegi Kathirunthal’ Vijayakanth starts singing ‘Netru rathiri yamma’ at night. With very little help Siva finds about his father from one of his associate. The associate gives him a CD of the family song which happens to be a ‘Michael Learns To Rock’ number. Armed by the CD Siva belts out the song and he is united with his parents and sister. Now back to the city. Siva is entrusted with the job of finding the main switch of the rowdy gang called ‘D’ gang. Siva finally manages to reach the main switch Chidambara Rahasiyam Delhi Ganesh. But the real underworld boss of the ‘D’ gang turns out to be Siva’s grand mother. Unperturbed Siva puts duty before family and arrests Muniamma. Muniamma justifies her actions saying only because of her Siva turned out to be true hero. The court accepts and releases all. Siva is promoted as a DIG and Miniamma is recommended for Golden Globe. They all live happily ever after. When you enter the theatre knowing the film is a spoof you don’t expect anything logical. The movie has followed every rule of a parody. It has sarcasm, typecast, making fun of scenes from serious movies, violence with no major consequences, obvious references to actions or names, lampooning with no purpose, casual scenes with many layers etc. Siva, introduced as ‘Chandramukhi’ Rajini plays his part to his known character. His timing and dialogue delivery sets him apart. The rip offs from Thalapathy, Kakkha Kakkha, Vettaiyaadu Vilaiyaadu and many more don’t fail to tickle you. Siva over shadows all other characters just like that with his witty presence in every frame. Music by Kannan is another fine element in the film. The cryptic ‘O Maha Zeeya’ is very watchable on screen. Other songs also match the mood and genre. Director C S Amudhan is welcomed with open arms. He has revealed that there are still some facets of cinema still unknown to many. A brave new attempt for which there will be many followers in the future. |
Thamizh Padam Movie Review
Goa Movie Review
After courting many legal battles, Goa, the maiden production venture of Soundarya Rajnikanth is finally out. The two back to back success stints at the box office with Chennai-28 and Saroja has upped the expectation levels on Venkat Prabhu and his team and the young director raises only partially to the bar he has previously set in. Goa implies pleasurable holiday spot and when there is a young team like Venkat Prabhu’s at work, it is easy to place the genre of the film. Jai, Premji and Vaibhav are three naughty friends in a village whose antics lead the village naattamai to impose ban on their communication and interaction with each other. Not withstanding this, the friends escape to Madurai where they see Jai’s mediocre friend happily settled in marital bliss with a white woman. This sets them off on a trip to Goa to seek a life like Jai’s friend. The events that follow their escapade form the rest of the film. The birth of Premji as God’s gift is shown as a spoof from many old Tamil films. His frolics are enjoyable especially in the scene where he mimics Vettaikaran Vijay. The song ‘puli urumudu’ as a backdrop when he fights with the baddies and when he imitates Baba Rajnikanth increase the comedy quotient and bring the roof down. On his part Vaibhav with his weakness for women but suffering at the hands of Sneha has done well. Similarly Jai trying to speak in his broken English tickle funny bones. It is a laugh riot sans logical reasoning in these sequences. Simbu, Prasanna and Nayanthara share a scene each. Pia is adequate. Sampath and Arvind Akash as gay couple (first for a Tamil film?) have performed well. Sampath is brilliant and gathers all the accolades. The scene where he clarifies his relationship with Premji to Arvind Akash moves the audience but the acceptance of their relationship by Tamil audience is uncertain. The issues and the ensuing dialogues when Premji comes in between this relationship have been stretched and blown out of proportion which could have been avoided. Perhaps the title of the film has let the director take such liberties!? Venkat Prabhu’s screen play appears to be bewildered at times whether to travel on the comedy track or the serious one. The audience is left to judge for themselves. Adequate care in this department would have made a huge positive difference to the film. There is some respite when it comes to the characterization of Sneha as there is a suspense element tagged with it. Songs by Yuvan Shankar Raja have been picturised well and re-recording is just fine. Sakthi Saravanan’s cinematography works in tandem with the mood of the film. Venkat Prabhu seems to have lost his Midas touch and misses his hat trick! Verdict: Harmless fun! |
Jaggubhai Movie Review
 Stories on father-daughter relationship are rarely made in Tamil cinema. Filmmaker K S Ravikumar, who is known for commercial entertainers, has tried his hands at a touchy tale, however quite typical to his style. There is action, romance and sentiment in the movie which has a strong storyline too. Unlike earlier movies of Ravikumar, 'Jaggubhai' doesn't involve a huge star cast but the artistes have a role to play in the script. Ravikumar has woven the screenplay around Sarath Kumar and Shriya with enough scope for sentiments and emotions. The whole story is set in Australia. The movie, seemingly inspired by Japanese film 'Wasabi', does leave an impact with audience. Ravikumar has made certain changes that suit to the taste of the local audience. Jaganathan (Sarath Kumar) is a tough cop, who is known for his rude ways of handling criminals. A bachelor, Jagannathan is dreaded by baddies. One day he gets a call from Australia informing him that his girl friend (Ilavarasi), who he met last some two decades ago had died and that her last wish was that a girl child born to her and Jaganathan be taken care by him. Jaganathan sets on a trip to Australia to realise her last wish. Flashback reveals the incidents that took place 20 years ago. Jaganathan had been to the abroad country then as an under cover. He goes to the place disguised as Jaggubhai to catch a dreaded criminal (Hamid Ansari). The Australian government provides a police officer called Man In Black (Goundamani) to help Jaggubhai. One day, Jaggubhai comes across a young girl (Ilavarasi) and slowly develops an affinity with her, He comes to know that she works for the don whom he is searching for. He hatches a plan by which he decides to marry her. For the wedding cones the don. There a drama unfolds and the don manages to escape holding the girls's father as bait. Coming to know that Jaggubhai had chosen to marry her only for catching the baddie, she starts to hate him and deserts him. Come to present, Jaganathan lands in Australia and meets Man in Black. He also meets Monica (Shriya), his daughter. But hides the truth that he is her father and befriends her in the pretext of her care taker. The rest of the events are all how Jagannathan with the help of Man In Black wins over her confidence. Sarath Kumar, who had played a mass hero untill now, settles down to play a father. Shouldering a major burden, he seems to have come up trumps bringing out the emotions of a dotting dad who wants to reunite with his daughter. He vents out anger, dejection and yearning for the love of his daughter very well. Shriya, who untill now, has been seen as glamdoll in the industry, has played a spoilt brat. She is chirpy and active all through. Comedian Goundamani makes a comeback to play Sarath Kumar's friend, who helps him in his mission. He is as usual is impressive with his one-liners. The action scenes are the hallmark of the movie especially in the climax. The grand locations of Australia and the peppy background score are the USP. Produced by Radhika Sarath Kumar, Jaggubhai is no mindless masala movie, but an emotional tale which sustains interest in good parts. Jaggubhai - Papa love |
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Pugaipadam Movie Review
 ‘Pugaipadam’ is yet another campus love story which tries to make it with the time tested formulas. The good thing is that it succeeded to a fair extent being close to reality and avoided many clichés usually seen in campus love stories. Guru (Sivam), Nandha (Nandha), Bala (Harish), Krishna (Amjadh), KK (Yamini) and Gowri (Mrinalini) are friends at an engineering college in Kodaikanal. They form their own gang and enjoys the college until, Shiny (Priya Anand) enters the scene. Shiny is the daughter of the head of the department George (Shanmugasundaram) and she too mingles with the gang easily. Their life happily flies. Meanwhile Krishna falls in love with Shiny and she too reciprocates the love. But they decide not to reveal their feelings to any one else, not even to other members of the group. After completing their studies, time comes to bid farewell. At that time Krishna and Shiny reveal their love for each other and their plans to get married. Then as a twist Bala attempts to end his life and what happens to the gang of friends after that is the rest of the story. The credible twists in the story and an unpredictable climax of the film are some things not seen before. The director has maintained a good tempo throughout the film. The film tries to be honest and keeps you engaged. Congratulations to the young cast who carries the film well. All of them have given good performances in their very first film itself. The new faces render the much needed freshness to the film. Priya Anand as Shiny is really good. Shanmugasundaram, Neelima, Venkat and professor Gnanasamandhan are also there. Gangai Amaran as the music director shoulders some of the responsibility of the director with his decent scores. Vijay Amstrong's camera captures Kodaikanal as pleasing as it could be. Debutant Director Rajesh Lingam who is a product of Selvaraghavan continues the legacy by selecting a friendship-romance- drama to debut. He has done a commendable job in his first. He has proved he has the talent and if he gets another great script for his next film he is sure to impress the audience even further. On the whole Pugaipadam may not be first big film of the year but it has definitely made the New Year begin with a lot of promise. |
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